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Meghan Rose

Meghan Rose’s “In Your Bones” Will Rip Your Heart Out and Make It Pump to a New Beat

Review by Morganna Grim | Photographers As Credited

 

Meghan Rose has just dropped her long awaited debut solo album, keenly titled In Your Bones, and it is met with thunderous applause and no small degree of gratitude.

Like every starving artist, she formerly worked a day job (which she has recently been able to move on from) and “Did Everything Else Possible” during nights and weekends. The actual job description of “Doing Everything Else Possible” includes collaborating with many of Madison’s prominent (and yes, “talented”) artists, writing zombie musicals, winning awards for music direction at The Bartell Theatre, and staffing the Girls and Ladies Rock Camps, bringing her sound and experience to inspire and empower other women.

 

Photo by Noah Willman Photography

Photo by Noah Willman Photography

Rose is freeland brown pharmacy outstanding within Madison’s musician population and otherwise musically-inclined community for her work in the bands Little Red Wolf, Damsel Trash, and I Saw the Creature. Although each of these groups is vastly different from the next, In Your Bones features the invigorative drumming of Emily Mills (of LRW and DT) and the killer guitar and bass work of Jake Ripp-Dieter (IStC). The three disappeared to Canada for ten days to record the album with producer Darryl Neudorf, who has worked with indie-rock acts such as The New Pornagraphers and Neko Case. From this excursion, In Your Bones was created, telling an important story in three acts.

In Your Bones illustrates a thought process that many women (and arguably, probably also men, and otherwise identifying folk) go through – it’s the story of suddenly becoming aware of all of the life, societal, media-born, and money-hungry industrial influences that made you who you are, and choosing to deal with it. As opposed to complacency, Rose attacks the idea that we exist for, or owe our love to, anyone but ourselves. The album is a perfect reflection of the universal feeling that you’re not who you think you are.

Rose writes in her official blog about having two personas contained in one body: “Stage Meg” – her stage presence and “Human Meg” – who she is in real life. The album is similarly split, with the two different shades of Meg.

Act I Meg is confident, wild, empowered, a realized woman fighting back and a symbol of weaponized femininity. She how to make viagra work faster sings songs like the title track with lyrics, “I’m in your bones/they break when I’m gone,” and “I’m gonna make a woman out of you.” She wrenches our hearts out with an anthem for we who are, sick of changing ourselves for the sake of viagra patent expiration generic others in “Don’t Care If You Love Me.” She goes mad with us in “Under Your Foot.” She spits, screams, and claws at the face of those that drove us there in “Blood So Thick.”

Act I Meg sings as if her life depends on it – raw, husky, angry, sexy, and visceral. These tracks are accompanied with the sharpest drum solos and cut-throat riffs. Act I Meg is a brunette Courtney Love with a palate for revenge.

 

Photo by Emily Mills

Photo by Emily Mills

Then, BOOM! A glimpse of “Human Meg” is bringing us down the rabbit hole to introduce us to Act II Meg. Act II Meg is just as full of pent-up emotion, but with a much viagra or cialis reviews quieter intensity – a Fiona Apple-esque sense of sarcastic delivery. In “Rabbit Hole,” Rose utilizes her classically-trained piano skills as well as featuring Ripp-Dieter on an upright bass, both beautiful new additions that will make more appearances as the album plays on.

Act II Meg deals with the aftermath and anxiety of deciding to live just for her, beginning with “Can’t Stay.” She starts with a cleansing of herself, getting rid of all the stormy weather clouding around her, and she moves on with “Brick by Brick.” All traces of hot and heavy Act I Meg have vanished with this jaw-dropping harmonious delicacy and it’s hard to fathom they are, in actuality, the same person.

Act II Meg continues with her struggles with security in the next track, “Spare Time,” crooning, “I’ll say goodbye in my spare time.” She ends with an excellent, not-to-be-missed discordant outro, returning briefly to the overwhelming feeling of earlier. The album nears its end with stirring lyrics, such as “Could you take this as a love song/because I wrote you one.”

Thus begins the seamless melding of Act I and Act II Meg. “Deja Vu” brings us full circle in an encouraging, enlightening mesh of every vocal and instrumental element featured so far. Act III finishes with a calming instrumental reprise and we are left with the feeling, or rather, the knowledge and the security that everything is going to be okay. We are not who we think we are, but we can be whatever we want, and that’s okay.

Rose writes in her blog that she hates being called “talented.” She says it implies that she just real viagra online canadian pharmacy got lucky and doesn’t work hard; she’d rather connect with someone than be good at her instrument, and that it doesn’t give her motivation for the future. It is with confidence that I and many others can reaffirm that she has an amazing future ahead of her. In Your Bones not only showcases her dedication to her ideas and her art, but it details a story of growth that no one should journey through alone. Thanks to Meghan Rose’s music, her fans won’t have to be alone.

 

Purchase In Your Bones on iTunes or Amazon.

Like Meghan on Facebook.

Follow Meghan on Twitter.

Watch Meghan on YouTube.

 

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